![]() The alliance demands fair and appropriate payment for the work of women artists, combined with the visibility and recognition of female potential in the visual arts. Unlike in recent years in front of the houses of the National Museums in Berlin, this year fair share! is deliberately located in a place of political decision-making. ![]() The fact that International Women’s Day 2023 follows Equal Pay Day in Germany on 7 March provides the theme of the protest this year. The Berlin action alliance fair share! Visibility for Women Artists invites you to a symbolic campaign on the banks of the Spree in front of the Marie-Elisabeth-Lüders-Haus on International Women’s Day 2023 (8th March at noon). Image above: NAHSCHUSS, Film Still, Scene with Lars Eidinger … Continue reading the article about NAHSCHUSS on DEEDS.NEWS. Together with his girlfriend Corina (Luise Heyer) he initially enjoys his new life. Dazzled by the many advantages the new job brings, Franz accepts the offer. A brief introduction to the content: Young Franz Walter (Lars Eidinger) has just completed his doctorate at Humboldt University when he receives an attractive offer from the GDR’s Foreign Intelligence Service (HVA). Despite the adversity caused by the Corona pandemic, the drama had a successful international theatrical release and was highly praised by the press. The film premiered at the 2021 International Film Festival in Munich. Even today, the topic is highly relevant in a world of increasing autocratic systems. ![]() It is based on the real story of Dr Werner Teske, who was the last person to be sentenced to death and executed in the GDR in 1981. The political thriller with a top-class cast including Lars Eidinger, Luise Heyer and Devid Striesow deals with the death penalty in the GDR. Applications and selection are dealt with directly by Hessische Kulturstiftung.The feature film NAHSCHUSS by director Franziska Stünkel will celebrate its television premiere on Friday, 10 March 2023 at 8:15 pm on ARTE. Residencies are open to all artists from Germany. Based in a residential area populated by many artists, the house is well situated for access to other arts spaces and central London. Residencies are awarded to artists for a period of 12 months, and the size of the accommodation enables the artist to bring their family or dependents for the length of residency. Group shows include Independence, the South London gallery (2003) Nordic Biennial of Contemporary Art, Moss (2006) iABr – the 4th international Architecture Biennial, Rotterdam (2009) Philagrafika – The Graphic Unconscious, Temple University, Philadelphia and Encuentro de Medellín MDE11 (2011).Īcme has managed a residency programme on behalf of Hessische Kulturstiftung since 1995, located on Lyal Road, Bow, E3. Solo projects include: Drowning Hercules, London (2001) He, who has the money, has the power!, Frankfurter Sparkasse (2002) Ulrike Meinhof, Rosa-Luxemburg-Platz, Berlin (2004) PIGISBACK, Pump House Gallery, London (2006) State of Control, Stasimuseum Berlin (2009) Anemonevej Surprises, Tumult Festival, Nakskov (2010) SPEECH MATTERS, Pavilion for Revolutionary Free Speech, Danish Pavilion, 54th Venice Biennale (2011) and Venetian Prints, dispari&dispari project (2012). In that respect his work engages with the art of Gordon Matta-Clark but by inscribing himself into the building, rather than simply cutting it up, he puts forward a different point of view. His strategy is to work with buildings condemned for demolition and to use only materials he finds on site to make art. In The Ring, a project he made in London in 2000 (and of which the Tate bought a substantial part) he investigated the history of the area in which the building of the Tate was situated - making images connected with boxing (the site had previously housed a boxing ring), the Ministry of Defense (which had a secret printing press in the building) and the new Tate Modern. Typically, Thomas takes over a building and investigates its history, carving into the floor to make woodcuts which he then prints large scale onto fabric. Thomas’s work engages with history and politics in a manner that recalls the 1960s in terms of his committed engagement. He lives and works in Berlin, where he has run the exhibition space ‘after the butcher’ since 2006. Thomas Kilpper Hessische Kulturstiftung Residency Acme Studios - Thomas Kilpper Supporting Artists since 1972
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